“You can embrace someone in a platoon, but you can embrace someone in a romantic sense. And I think this collection really saw the lines between the two.” Saul Nish immediately after his show in Tetro Principal this afternoon. Talking later, this is a place that has been a regular fashion place in the boxing gym, nightclub, and, in the 1950s, in its long history. It was Nash’s second show in Milan, and in the collection it was suggested that it was embrace some of Italian men’s clothing codes. Its hooded shirts were contested with tie and pants in the yellow Mediterranean lemons, and a silk kepper pants and a maximum nylon jacket was delivered in a nest tone of the lavender – both classic Sterille peacock colors.
This yellow shape came with a continuous waistband hidden with two hands spread toward each other. When they made their culprit, the path to choreography under the cat walk, the Nash models occasionally stopped in a light to embrace. Nash said: “I really love the idea of asking the question of how many men will go. I go to a lot of clubs. And I think there is a lot of stress in the clubs, where you know, people are expressing themselves.”
Akhtar holes were left on Cooper Shirts and Strich T -shirts to display packets and nipples. Pants and pocket tagges were developed with miracle beads lines that club lights are reflected in killing them. The designer’s signature compression is at the top of the recycled Lyra, the same indicator was printed with hands, and the fitted design of the garment was closely embraced by the bodies in itself.
Hudded three -quarters of length checked shirt, zipper holes on the shoulder, opened Hooded Tailored striped jackets, and some more silky -rich sustainable substances between some finely pleasant shorts and pants nashts and technical efforts. Fast, this is a combination with real chemistry.
