Stella Jean developed her new collection with Haiti’s craftsmen, many of whom have lost a sense of their homes, workshops and stability, though not their soul, committed. Jane said, “These are my buffalo soldiers,” said Jane, borrowed Bob Marley’s metaphor so that she could describe the women with whom she worked on the project. The city was shot in the city of Cape Hotten, and the designer’s Italian heatine roots combin with cooperative design methods, aesthetic rebellion, aesthetic uprising, when it is called a new offer, is the way to return the country that has given it a lot.
This collection is born of a reflection of uniformity and sovereignty, especially the trend of historical relationships with Haiti’s western clothing codes and the export of second -hand clothing, locally known as ‘Peppe’. The euro -Centenk masculine dressing places were re -imagined by Jane: Strong cotton’s populin shirts highlighted the decoration of the front, while the trenches produced by the beige became a canvas for hand -painted, colorful accents. The hats were an important feature. Standout is the latest work of the traditional tall Haiti Head Peace, which crashed one night before the shoot by Michelle Chattin, one of Haiti’s most respected designers. Although the color played the role of a framing, the Slammet was sharp and generous, often linked to the shown belts. Large hats, golden crew earrings – large and round – symbolized flexibility, strength and identity as well.
More than a combination, it was a cultural capsule included in the main method of gene: “It can be a megaphone for people who live in one of the poorest countries … may be something else, which helps someone to be open, visible and surviving.”
