This year’s LVMH Prize is one of the semifinals, Ruta Merkami is a beautiful strange nutware designer and Japan’s top emerging women’s abilities. For this season’s collection, which he showed in a large hall in the Shangwa district of Tokyo, he looked at the decade since he started his brand’s bullets. “We paid close attention to the techniques we cannot master, the parts we cannot express well, and the work we could do better. We just wanted to update it instead of turning back,” he explained the back stage. Most of the paths in the collection were deliberately shrinking, which was partially practiced to rely on the process. “This is something you can’t control, you do not know how it will come out,” he said.
It turned out to be strange. There were blankets of insects that were wrapped around the bodies of models, crushed cardin with banned weapons, and knitted clothes that were physically trapped on the hemis. In a glance, a black -made zipper was decorated with pumbls in which their ivory cotton lining had turned from the inside, giving the impression that the clothing was spreading from itself, or that teddy beer items were pulled. Another brown dress gave birth to a drawer price socks, and turned it into a pile of ignorance. There were extra long sleeves in the Fair Oil sweater that fell on the side or had a remorse that was bubbling across the torso, while in others the nuts were multiplied, the sleeve and neck hole wool erupted in a kind of nutware mitosis. In a way it was extraordinarily visible, shrinking and irregular lumps and its famous 1997 reminded of this famous des Garvinz collection and made irregularities (though Pillings Rei is not part of the brand’s brand stable, you think it will be a great fit).
Murakami, as a movement adviser, included a contemporary dancer in the list of Yamda’s aid, and the models had held his skirts, his hands were kept on his thighs in a critical way or at a glance, caught together on the chest. Ghostly music filled the room when the slow steps of models echoed on the wooden runway. The result was a successful collection that showed both of Marakami’s intelligent nutware to lay his clothes with both skills and emotional depths. It is a designer who can translate the gum into clothing.
At last, the sweater had to resemble a palace, but the team of bullets could not find it enough to work and it looked like a half -melted housewife. Marakami looked charming anyway. “I liked the distortion. He said, I think the attitude of going to something (but does not always reach it) is very important when making things. In the universe of bullets, the magnificence is beautiful, and it contains the complete magic of this brand. “I think nature has a lot of value, such as lines that you can’t draw with your head or with a ruler, so I added it to my creations,” said Merkami. “Instead of following the shape of the body, it is like a more heart shape.”
