In this season, Camlie brought Michael Puchi La Dolls Vita Tour Too Portophino, a occupation of La Sarvira, a medieval hill’s top Abe with hidden clusters, manicure gardens, and the Golfo del Togolio. Were treated with an intimate show with guests Ann Plane Hua, At sunset, but also a breakdown background produces a stupid, warm, and lightweight web. McCarey has a knock on French Italian cooling.
Puchi visuals, often dense, are getting a fresh, dynamic spin under Michael. For Bihar, he zero in the shape of the marmo, “The first print that mislead me,” he said. In fact, Emilio was considered by Pokée when he had made himself matched with sunlight waves inside Capri’s Grota Ezorra, a sample of rotating in it is a seam, almost almost is a fraudulent rhythm. Michael awakened it through a collection – prints were estimated. Picked up with metal roots on tunox and palaz pants. And like a sesame, turned into a shining, black and white rotation.
Michael tested with volume and salmon, which adopted more self -esteem for techniques and seweer fair. Fast, cloud -like tips, “as if the air flared up,” met with parachute nylon -made Bofant Cranolines, which stood and shaped with dramators’ dramas, and embroidered with curly 3D Applex. The flowing cuffs contradicted tight -fitting non -proportional tinks, bando -intercoursements were widely paired by masculine shirts, and the second skin -pulling tube fabrics were shaken by the body as the body was shaking. tatouages. The hidden hidden edge was a decorative lattotuf, emphasizing motion and dash. The continuity number
Michael dials Pachi’s generally pleasant, rioting palette on all three of the black, white and soft shell pink. Still the energy of the house remained – only more crissary sketches and deliberately focused. He remarked, “The truth is very severe. I think we need gentleness, relaxation, aggression.” If only the world was taking notes.
