Rabih Keroz subscribes philosophy that is not about fashion seasons – this is a continuation, a quiet evolution of syllable that speaks emotionally and beautifully.
The designer observed, “I find it difficult to talk about a theme or gender every season.” “Sometimes I think I’m doing the same thing, but in fact it is never the same because clothes, color and attitude are always different.”
For autumn, focus, oranges, silver, chocolate, and a tea green for Keroz satin and silk reached in an amazing palette, which he collectively described as “vitamin color”. “They mean to develop,” he said.
The Keroz is in favor of the volume -affected movement. He offered, “Pumpkin”, a “pumpkin” dress, a “pumpkin” dress, and its signature cocoon shapes are a superstitious dialogue between fabrics and attitude, intentions, and “wrap the woman in an indicator,” he offered.
Most of the eyes here explain the train of this thinking. It seems that a Fuchia has been stripped in the essence of the coat line. A lace -black dress flares in a saucer -like hem, which balances and releases balance. And then there is a Halter neck goddess gown that apparently works from Quicklore, which was artistic trim. This number was currently the approval of a coach piece for exhibition in the decorative arts department Louver Coacher; It will probably come here and once there once in the film festival and gala season. Dutto is an amazing Fusia Bestier Gown.
The real life options were the strongest jackets, trenches, and white, beige, coat in focus or tea. They looked like a solving problem that could be worn in the season, for years season out. The designer noted, “No matter what, just strong, looked and invited to feel luminous.” This last word is appropriate: In more than a decade to work in the Airtelier of the Artille, a charming artist in the 6th Arndomant, Keroz has quietly increased into a collector’s designer. Here, he offered a lot of greedy pieces that would surely resonate with his user.
