Ned Sims went out today to walk in Aaron Ash’s Spring 2026 show in a torn white T -shirt. ESH threw a flawless tailor, silk pipe suit jacket on top of T and sent Sims to the runway. Ash said, “I think he gave him the energy to walk how he did.” Spasming Sound Track-Mercy Side Raper Esidic ID to California Electrocille, and London Underground Pair Basuktium-Perhaps also helped to set the scene in place of Hackney Night Club Oval in many years. Lights flickering, fashion students and London children highlighted it, models looked like they would have come out of the smoking area that were offered through some unconscious gossip.
Sorting and music, people present, and clothes that are all seen are important to ESH. “I want to show the customer, the world, Fashion The world, journalists… whatever it is, we can work at a particular level, “ESH between a press scarme, advents his greetings between Phantom weapons, to embrace his greetings.” If this was my first show for the house, I won’t do anything different. “Ash gave himself and his team a deep, more complicated, and once again worked with stylist Katie England.”
Tayloring Old was influenced by London’s workmanship and the 1930s, in which the collection focused on the signatures of masculine clothing. “But this is not a gender thing,” said Ash. “This is a wardrobe.” Women and male suedefield jackets (one in a magnificent strike of a marm) and walk on the runway in a spectrum near Lot Nearly fitting leather pants. Military shirts contained buttons, and millions of leather and satin tone dialogue shirts and smooth pants. Four Baspok suits were made in collaboration with Seoul Row Taylor Charlie Allen, a cut -off Seoul Row Taylor in north London. Scientific -made sweaters and satin Harrington jackets were stupid, like a foolish, twisted neck jersey dress, so full of sweaters and satin haralington jackets. This season also included ESH’s first shoes, made up with Zara, which has been a shoe suit for the 5am Stumps Home since the party.
Coach techniques were described through ESH’s London lens. The blacks were not made from the shuffle, sprayed from the brown coat lapses, and a tweed herring bone jacket was studded and shining with large black sequencies, which was all hand -cut. The ESH said, the jacket samples were handled, each panel was embroidered, and the sewing was stitched together: “Just how they will do it in the channel,” Ash said. “These pieces, to me, are the first real cottage things we have made by hand, never touch the machine.”
They were dressed in devotion and rebellion, not exploiting it but not. They occupied the Moxi of Esh and his friends. The designer said, “There is something about fashion now in London.” He added, “I think the reality of (this collection) is low through, repeatedly, Instagram, Paris Fashion Week, watch it and forget about next week.” “This is a real wardrobe that is worn by real people, influenced by children who are beyond the music there that are loud.”
