In the spring season, Benjamin Baron, finalists of the LVMH Prize, and Berore, August Westby, have been shown a new name, a wide and very sophisticated combination of them under August Baron. As always, they became associated with the most complex vibrations in pop culture, those who speak directly to their thousand years of harmony (but not only to them).
This may be a matter of being close to the fiction, but after the end of the frustration over David Lynch’s death, one will expect more references to his divided universe this season, but not. August is perhaps enough, on the strength of the real domestic women’s reservoir. Playing on the title of eye rolls, the two eliminated the idea of a suburban methaon, presented a role that is more common in the slips carved by its Patecified Circle Scrats, Cardins and Les. Belle de JorThe severine series compared to Teresa GeodoS or Techtok’s commercial wife. The elements of its back -store were summarized from the vintage magazines, which were shown to the designers found in Japan in slavery to domestic women. “Baron described women with their clothing or almost almost as being removed from the body, and we are interested in trying to translate these perfect moments of teachers who are interested in translating these perfect moments of frozen.” For this purpose,, the multi -layered cardin (a new nutware option) that was designed to maintain the Braz -revelations, the “display” shirts allowed a glimpse of the decorative, the jeans were the side zipper of the leg, they were not suspended from the bras. While expanding their cooperation with guesses, this time for pieces that would go into production, there was also a defeat and gravity of Denim Money.
Like this, like a permanent dynamic skirt, dreams are something that cannot be done teachers, and the sense of obstruction and release of the collection was also made aware of the movies. The girl disruptedAnd Virgin suicide. In addition, princess movies (Cinderella, Alice in Wonderland) And Gray gardens In this collection, without dialogue, he contributed to unconsciousness and confidence.
Playing with the idea of interior, the domestic domain, some clothes were made of table cloth, and some were worked in some pieces, citing plastic, furniture guards. The designers played with a matching-match aesthetic of the 50s, and the decorative buttons and broches also cited the period. Baron and Vesteb did not abandon their initial idea about their slavery, but they gave him sugar in the sweet thing, showing shiny jewelry straps with creamy pearls that are in the size of the Gobestoppers. The collection’s Pause de Resistance deliciously “give them cake” triple ball gowns, the body was a belt (another reference to slavery).
With this show, it was presented in the Paris Club with a ironing board with a residential room – as far as you can find. Thus it was a prime AB. Baron said, “This collection was about the idea of constructive perfection … this permanent work on this image that is for other people.” By physically renovating their work, exposing the sutures and doing it, the designers fought against individuality and celebrated the perfection that is found to be incomplete, which is primarily, human condition.
