On the basis of feedback, she is getting the CFDA/Vogue Fashion Fund finalist and Frank Ying Fellows as their sponsorship, where she saw how the participants were wearing her clothes, Bachi Mai said she “really (my) glamor’s actual idea is to show something unlikely.” It was going to be a challenge from the beginning because Mai, a fashion fanatic, who stands in the history of fashion, is naturally attracted to dramatic gestures and happiness.
In a pre -show interview, Mai said he was working with circles and squares, both of them making clothes and shapes. The designer was in all the trends of Polka.com. He used a printed machado for a short and swing flameneco styling dress and used more circles than the Soldian colored sequel circles on black and white hound steriles. The most dramatic way, Mai cut the Swiss cheese holes – which he filled with a transparent fabric – in his end dress. The way to disclose its internal construction and the way its internal construction was revealed was to pay tribute to Charles James.
I wanted to show both the My -Range and a slightly comfortable and comfortable at his work. He said, “People think about us a lot about clothing and gowns, but we do a great job with jackets and outdoor clothing.” Enter the MacCardial-ACC shirt fabric, and, indeed, the track shorts with a matching jacket-and this “dissolution” after a coat made of Glenn Plade that had no contact. Mai’s best use of this ordinary masculine dress, wool, was a prejudiced cut Halter dress that had a dropback that shows what he learned from John Gilliano. The thing that was intended was intended, such as throwing a detective coat made of men’s fabric, falling flat, a part of it was seen wearing a dress model.
Perhaps the standard that most describes Mai as a person and designer is a foolish feeling (which sometimes comes in the way of editing another word). It was a full, magnificent display in the bubble -backed Titer Opera Coat, its entire pin was caught with Valentine’s Red Ribbon.
