In the last season, Babah was broken by the Mohapatra tradition. Instead of serving a famous historical woman as her music, the designer looked inside, and made her collection around her visit to India to offer funeral rituals for her brother and parents. Mohapatra discussed the discovery of personal content emotionally, intensely through fashion. “I am no longer afraid of change,” he said. “I’m ready for the axis.”
To offer 2026, Mohpatra once again turned his life for inspiration. This time, he cited the recent journey from his native village, which he had not gone for 20 years. He said, “I immediately contacted all the things I had left.” Playing in rice paddies is translated into childhood only in the heat of the summer, which is alike in cocktail dresses and sweeping ballgons. The translation of the monsoon season of Mohapatra, a zigzaging shape, a high -neck tail evening dress and black column dresses. In the village, Jasmine Bell, a 100 -year -old, forced the designer to create an ivory lace skirt set, with 3D flower prices set up.
Like the rest of the industry, Mohapatra is also feeling the effects of revenue. “People get a little conscious about prices,” he said. So when it comes to their own offer, “it must be absolutely unique, and the price it should be right.” By tapping his living experience, he is going in the right direction.
