Standing in a particularly, it was the job of Ayim Hassan, a student from Ramullah in the West Bank, who funded the Central St. Martin’s route and created a powerful collection that showed the amazing beauty of Palestinian crafts, and he returned to the artistic traditions. (Hassan described this collection as “the reality of genocide and the struggle for freedom.” Particularly he felt the groups of students protesting for Palestine outside the show’s place. The glass was paid an extraordinary piece. The geometric patches of historical samples from this region with layers of disturbing organiza. Meanwhile, a huge length of textiles in gray and Magynta, was worn here as a head scarf, the floor was wore as a head scarf, really made Hassan Hassan’s own mother. He said before the show, “My mother cannot make it clearly today, because she’s in the West Bank.” “So with her, it feels like she is here.”
The top three prizes in Syria, which were decided by Daniel Lee of Burberry-who were sitting in front of the show, selected their feet to the Med Cap of the musical sound track selected by the students-all of which went to the winners. The second runner was Hasib Hassan, a British Pakistani designer whose sophisticated design was impressive. Influenced by the sources spreading everything from Madam Gray’s dropping to vintage Pakistani stamps, he confidently put them in a collection that married graphic effects with extraordinary workmanship: a South Asian. Shalwar KamizHere was a special thing, decorated with a washed blue leather, cutting off Arabic calligraphy, as was a closing look in a drop, cheerful white fabric that exhibited green maps that echoed the Pakistani flag. Hassan said after the show, “The most important thing for me was mutual cooperation,” he said that he worked with the craftsmen in Pakistan to produce shoes, crosot prayer caps, and woven task drawings. “It was a way to respect their skills and ensure that the collection could be maintained in where I came from.”
The first runner -up prize went to Hannah Smith, which was presented in a collection of an adaptive fashion, which was affected by the details of the curly on the iron gates to make pieces that “use the wheelchair as an asset, or he said,” The body of the body, or the body. ” Just as he had technical experiences, leather leather was hitting in falling ribbons that floated with a slight ease of wings behind models, or a wheel to build a beautiful train.
