The field is wide, basic, impossible. From here, the wind blowers and the sun are not blinking, from fence positions and stone fireplace to endless forests and Elk Mountain peaks suffer from consistency in everything that climbs over 500 acres of farm.
Against this excellent background, the slightly, the furniture on the property, opens with the gifts of nature, rises from the ground: shed anthelmers, wood, hand -cut -on -branches. Honest content, nothing was wasted.
But there is a quiet revelation beneath the drains of each piece. These are not white, antiquities. He is a masterpiece of the statue aluminum.
It is a great chemical chemistry of the slow CF Rench Outdoor furniture line, where utility is related to heritage quality arts.
In 2015, the crystal form was launched as an offshot – Colorado Airtelier respected for its basip -francing – Lizzi CF Rangers connects Frontier Spirit with extraordinary stability. What started as an external interpretation of the crystal form signature shed antler furniture spread rapidly in complete combinations: rustic oak, bent Willow, mountain cedar.
Master Artist John Banson and Stephen Kent, who have lived and worked in this property since 1976, have long-created Crystal Farm with devotees-the shed anticlar chairs of the Brand, the copel Elk’s leather sofas, a type of chandelier, and other shoes. The crystal form client and his designers also wanted a sense of similar workmanship, romance and stability, but were made for the outside.
The first eye -catching Elk Antler is: deep mahogany brown, their Tine Tips that are wearing smooth with the routing season. They with the glory of sculpting arc and jets, anchoring benchs, chairs and tabletops. Each burner is presented with amazing devotion, because of it and the stains where the antitrries are released in the spring time.
A highly supportive chair of the gently curved golden pine has been tied to the lipped rope of the east. Mark the coarse knot, black with the resin, mark the grain. Handmade seat slate rests on a jewelry deer antler rack, its tines of butterry smooth, straw color.
A caramel ton of tin is bent over the early American skills, its branches are apparently manufactured by both hands and air.
After that, its bark is splashed and stands with age. A seat made of hand -cut leather appears to be a mammal and blurry and invite.
This is the kind of furniture you expect you to expect, the way you imagine that someone’s grandfather was handed over to the tools and nothing was thrown.
But this furniture is stable, easily strong, every inch of it is a good adaptation.
This is not a normal metal work. The designs start with a sketch but with a sculpture model, with handmares and wood, leather and anthelves. From there, the molds are made at home, and the casting shapes using traditional methods. Each element is poured into half and then welded together to make a hollow shape. This process ensures that the pieces are strong despite lightweight, as well as superficial beauty that are their organic predecessors.
Red Stone, working with your 5,000 square feet of studio on the Rench in Colorado, monitors every step of a stone-throw-Benson and Kent creative process. “Our foundry is a small family operation that includes half a dozen workers in their particular fields,” Kent explained, Kent explained. “This prevents any form of mass production, which controls strict quality. Each individual piece is handmade. Each line has its own structure, color and shading. Everything is handled by hand. ”
Aluminum is recycled, and even casting sand is reused. Slow CF fields are made for all climate and stress has been tested in the tough conditions of Colorado. Rehabilitation is minimal, which only requires a coat of wash and UV guards. Plush custom cushions are available for additional relief.
The company is cautious, but their influence is far -reaching. Most of the orders begin with the word mouth. Many people are from returning clients. Some are the result of seeing – a design center showroom, a rebel party, a luxurious hotel, a city roof, polyside in the hampton.
The slow CF fields have spread over the world, in which the hotels from New York City to Taipei have been broken into the hotels and designed by recognized architects and designers.
As this collection is produced, the slow CF farm is based in its founding principle: Outdoor furniture can be disrupted but still worthy of inheritance. Conversation with nature, cast in metal and hand over by hand.
