The choice of a presentation at the Kate Walk show for Guinea Spring was not only unexpected. It was a more rebellious move than jumping from the Copen Hagen Calendar in Paris, where the brand became known for showing out of its shock-in Paris. “I think whenever people do something that is a bit unexpected, this is just interesting,” said Creative Director Date Refrespen. He choosing like this, “There was a big change, and we are not saying that we (the runway) are not going back, but it is our third time in Paris and everything is on such a fast way. I really wanted to try to slow this collection a bit much more.
Exhibition visitors at the Bastil Design Center, which is an industrial building, starting in the 19th century, was welcomed by wooden grandchildren standing between flowers. There was an unrealistic movie behind them that was intended to create a sense of summer, caught in blurred pictures as if were seen by a moving car. The upper part of the stairs had a wall of the bag and the collection was presented on the second floor, once again on the wooden grandchildren, whose style was less dramatic. Nevertheless, the pieces refused to expect.
Refustep continued with the prints of flowers introduced last season, and added a leopard: he said he catchs the feeling of time, and as the memory changes. This season’s double belt trench had a extravagant panier -shaped volume. Its rotating shape was of tulip, keeping in view the desire for a refusal to find the “universe of flowers”. Cracktate pieces were heavy on the denim with dense gestures of flowers, and dimensional blooms. Less literal flowers like pieces were more sophisticated and the feeling of the house had less loving hands. “Posi,” Guinea’s gardening bag looked ready to be a hit. In a recycled patent, khaki clothing was smoked in such a way that the usual pickers took the form of flowers. A white printed dress was given a colonial treatment, so it resembled the peeling wallpaper, in which the designer mentioned that the pieces of these dreams were expressed in a way. “I am always a very old person, but especially when the world makes a bit of a noise or noise, I always want to go back. So the whole journey of this collection is really drowning in childhood memories,” said Refustep, which was the birth of his creativity on a free summer of summer.
Klogus was the most common scandal element. Something monochrome was visible. Among them stood in a drop room with a brown dress, and his sister, a shoulder button on top of the print fabric with jeans. Nordic is known to lay the region, but what was on the show was completely a variety of, from the bando to a red satin dress to a carcad arganza jacket. Mostly it seems that the shoulder straps are prominent, or otherwise embrace the body. “I think it’s now so many seasons where it’s all so quiet and easy, and I need to detect more feminine aspects,” Refustep added, “It’s definitely not ready for a man, it’s really ready for you.”
There was also another dress -up aspect of this collection: standing in front of the mirror, often in borrowing clothes, and not only to adjust the fit but also to the lump and belt them as a way to reach one’s personal style. There were many pieces of physicality, which were dragged and tied, it was praised and personally.
