The latest collection of Juan Wadal, “Mequer, No Coer” (“They love me, they love me”), Gul Daudi is affected by the tender act of endangering the petals. The designer explained, “This is a metaphor for the fear of making decisions, basically, in its own, basically.” “This is the place where we leave destiny to decide what the heart can tolerate. This collection begins from the same place. By embracing uncertainty as a source of creativity, Vadal again claimed that” the unrest in the middle, which has a lot of passion, is often a very beautiful, “which is often a matter of fact.” Become the language. This is about fragility without fear, and turns it into power. “
As a result, pieces of contradictions arose: Washed and satin silk, large trench coat, flower woods from an ancient print that he found in Kyoto, and satin suits are adorned with tofita bows that give birth to traditional Japanese Obi. The collection stood in 32 views that exhibited it during the Barcelona 080 Fashion Week, where the opponents turned in harmony: Straight and curved, hard and fluid, faded and shiny, masculine and feminine. “There was no mood board to guide our path. The creative process was more impressive, which allows random pin to gain superiority,” Vidal explained.
