Can luxury be bunk? Can luxury be comedy? These were some of the other high -faulty questions raised by the Kenzo Show this evening in Maxim. The most important question of all was, how do they run into them? Since a male model showed it when he messed up in the shoes of the Hyper Stacked Clone of the season, the answer was: very carefully. LVMH purchased Canzo for $ 80 million in 1993. Late founder Kanzo Takda, who was a majority of Maxim, came out in 1999. This label is a secret outlet in the luxury group’s portfolio that has enjoyed the moments of moments (lion sweat) that have passed through the moments in the commercial sun, but the essence of which always makes itself more resistant to the group. Which one more questions: What can Kenzo do that its stable people cannot?
The show described the answer that creative directors Nigo and his Guyanchi-Oulum design director Joshua Billen (who are not refreshing about allowing Nigo to call it a part for this brand) are getting with growing confidence. “First and most importantly, it’s about fun,” Nigo said through a pre -show, through a communicator. Added Bullion: “This is about not understanding the fashion as seriously as other people do, and at the same time to create a very high collection. And it’s about mixing attitudes and generating energy.” Nago added: “There are a lot of things in me in the collection: ’90s Nigo.”
There were many ’90s nigo smooth textile belts buckles that did a different hadeeth of’ Canzo ‘or’ Woof ‘or’ Mayo ‘. It was the only aspect of a collection that was as layered in its electoralism as much as the mesh -up sound track developed by Hiroshi Tsukwara. In some of the male clothing and women’s clothing, the early new romance, namely the beer, the buckering blouse, and the silk pants were a faster punk, the initial new romance. The dressing gown, dressed as an outer dress, had a sergeant ginnsburg loucher. The micro -moir puff skirts and micro -blummers had some straight -eyed categories, as the swimming dress peeped on the panthemes equivalent to the previous season’s linen. Tie print was a suitable dose of realism for easy access to made tea. Border Line Infantalism met with a very fox, wrong fur Tiger coat and suit, with the tail, as well as a little strange Tiger Bani Dastan, an attempt to make a connection and role in the process.
