“It was about how I can feel 25 years of doing something where you change it all the time.” So Lee Mathews of his resort 2026 said, who celebrated the 25th anniversary of his name. This was really a line -up full of classic silhouette: careless and beautiful, extremely feminine, architectural and romantic, but never delicate. This is a balanced process, and Mathews dragged it again this season. He explained, “The kind of woman I am thinking generally – she is not fragile. So the clothes can be fragile and beautiful but they need personality. The clothes are enhanced by the personality of the real person.” The track came into the jacket and long board shorts that Mathews turned into a goose blouse and a maxi skirt.
In this season, Matthews cooperated with artist Nina Walton, who created a hand -painted placids and a wonderful brush stroke spot polyka dot that appeared with a rich neck on a simple undesirable dress. Mathews said, “I was given a piece of it as a birthday gift – an important birthday, okay? A milestone – and then I thought this woman works beautiful, I want to contact.” “So now we are friends.”
It was a strong component of his offer this season, and while some light and aerial fabrics, such as a cotton, used for a line blossom, with each step unwilling and sinking on it, others are bouncing up and down. Hope Scrats is an idea that seems to be in the hands of almost someone else, but here they look modern. Mathews cooperated with Renata Bernha on his design. Mathews said, “I think the idea is a piece of a foundation and is showing it.” “The trial piece became its own piece, we never made another.”
In fact, the progress of white and off -white pieces in the collection comes to the point of how much he praised the toilets when he was being made. “I like at the beginning of a collection when there is only a whole rail full of white things, cream things, half things and you just think, wow it wouldn’t be good to do it? So we did it.”
