“Well, we liked this idea of new-era boys, in a way, looking for new hippies, probably in search of spirituality,” Christophe Lamier called the back stage with Sarah Lin-Trran, a born after the Lamier Show in January.
It had some suggestion through the style. But does the Lemire not usually indicate such a whiby without trying? A brand that anathema is anathema for anything for any noise, sharp, shiny, or tendency? And just think that if a movement was really supporting the Lamier’s closet in its principles. The following will be assured.
On the one hand, this collection made it clear that the Lemire is not a sensational aesthetic. Permanent temperament can be its calling card, yet felt more open and expressive in this season – the color (soft brown blue, dark roses, deep crimson, and red of bright poppy of the same bag), fabric (lace, certainly no regular event) and prints (packets) and packets.
The designers pushed the limits of their comfort zone with a look that showed a lot of leg: a great crush leather, knee -length skirt that is worn with a bleeder and a pair of mesh sack sandals heels, otherwise silky clutches that gave sex. The air -flowing skirt panels flowing down the park found less intuitive, but it would also want to try a cool Paris girl.
A direct confrontation by Validan Maglett gave the impression that everyone was running in the show (as always, proper representation casting) anywhere-especially in nearby denim organizations, men and women, their bold relationships were swinging in harmony. Lamir noted that he and the Trans wanted to create a collection that was “awakened”. He explained, “Today we feel, more than ever, we have to be awake and vertically.” Whether or not a new era, leave it on the Lamier to get such a encouraging idea.
