“It felt a bit like a victory lap.” The last time he did so, for the spring 2025, the designer took his bow with “saving the garden”. In the meantime, this small green patch has been saved from becoming a building space. These days, even the small victories are cheerful.
Opening the show was a 1776 style in uniforms and a drummer. Then the models came to the triangle hats that were decorated with wings, cockdives and peaks. When Adam Ant’s “Stand and Deliver” was later played, the reference was given more importance when the military effects were found in Vivian Westwood with photos of Bo Wah’s Anabella Levin. Hartg’s Anglofelia did not stop there. With John Cats “a Grassian Oood’s print-out–malfunction lines,” beauty is true, true beauty is “-left on each seat. William Shakespeare’s portrait, which was presented in a brilliant crystal, appeared on the dress, and the closing track of the “Revolution 1.” It was The Heartgut Post Show announced, “This is a time of a love revolution”. “Beauty is more important than ever. It is the most powerful form of peaceful protest.”
The designer’s love insurgency came as well. The use of heartbeat textor fabric was especially noteworthy. Not only for these colorful striped pieces, such as a shirt dress, but also surprisingly, for a group of white tones on a silk screen dress. The designer noted, “I had never done so before.” However, Hartg saw a relationship between the people of the black trench coat and the autumn of the brand 2004 runway in this collection.
Yet, when Libertain is going to his 25th year, Hartag is mostly waiting. The brand has just opened a new side articles salon opium, and Hartig (relatively)) was not the only demonstration of his savior fair. The logo letter on the group was created using the same material rich strips. Some black jackets were beds with the message of “moving out of the night”. Write!
