What is it, Marx Almeida is running glamor? All the long, silky, leopard evening appears to be gathered before their fall. It is surprising by designers that are not known to use too much print. On the Zoom call of his studio in Portugal, he was explaining that he would feel like challenging himself: “We wanted to tighten the new, bigger, probably more beautiful area.” “We still own what we make.”
Well, this collection contains a lot of things that are not only long, thin, trail animal print skirts, but also powdered backback tufta fabrics that point to the hot coach volume of the 1950s. “This is a dressing,” Paulo Almeida allowed, “but to us, it always has a chorus element.”
His hee, he was referring to hereditary disturbing contradictions in the cut -down thread structure of the file coup é fabane, which also runs through the combination. The file coup é is a knitting technique that is often associated with the expensive coacter. Here, Marx and Almeida have deployed their structure so that they call Pajama and add a witch mystery to a black halter dress that is flying with its train.
Somehow, turn around with Goth Wii, which is on the rise in many tip and cranes in these dustopian times. It goes as an outer garment with carcas and bras, represented here in material marks.
