When Shia Kozuka went to visit her family in Osaka on the New Year’s holiday, she spent a lot of time thinking about the moon. His late grandfather, a hobby photographer, had photos of Kozoka when he was hanging on the wall in childhood, as well as red carnings that Kozoka made on the sewing machine for Mother’s Day 20 years ago. He explained, “When I saw them, I felt a similar feeling when looking at the moon. I thought, ‘Oh, the moon floats in my room.”
And likewise, in a dark hall of the Tokyo Science Museum, an evening of July, Kozuka showed the moon, showing a Somnabbront collection, which brought romance loneliness for small hours. The white graders of the moonlight illuminated the black buttons -up shirts and the Taylorid trousers, which opened the show, later re -appeared to the towel dressing gown, as well as the beads of the beads and the above mentioned criminals.
From there we went to a tapestry landscape with embroidery and coats that could have been a immunization coast, otherwise some fantasy story Bok Town – which pops through laughter, picture frames and small yellow moons that resemble bananas. He gave a yogurt, pastoral old memories in combination, the wallpaper flower pajamas and Kalico’s core coat and shorts have decorated with blurred red striped. The strawberry color gingham was hit on the needle to handle a wearing (sleepy? The curly moon that he had placed in his arms or standing on his head was based on his own reflection of Kozuka.
As anyone who has seen Kozuka’s progress may have seen, the moon is one of the designer’s sustainable maps, along with a long walk in the winter time and in the city. He said, “These are the topics I think I will use forever. If I was asked to choose between the sun and the moon, I would choose the moon, and if I was asked to choose the summer or winter, I would choose the winter.” “I’m attracted to dark things.”
In his show’s notes (like a poem and always beautiful to read), he wrote the following: “When the fashion moves me, it is rarely driven by logic. They are vague, abstract, difficult to explain-and I am sure that they make them powerful.” As a designer, Kozuka has the potential to improve these personal, often ideas and move them to a dress that feels stylish, realistic and permanent. Big, cool -out -of -the -art thrill in anger and prevents anything from crossing in clothing. It is not uncommon for Fashion Forward to see his sweat on Young Tokotes.
A lot of years ago, we’ll be seeing them anywhere: In recent season this brand has permanently expanded its stockists, and Kozuka is hoping that he will present his first runway show in Europe in the future. The first moon, the next stars.
