After a knock -out debut show last season in Shanghai, Yi Chen Chau returned in the form of apex article for autumn. The intimate presentation style is in accordance with her and its collection. Chen Chow is a type of designer with the best fit model itself. Her clothes on her rack look more attractive and convincing as she offers a walkthrough wearing her samples. It has an old spirit for them in their pieces, they have a patented living, but the designer, who is in the early 20s, makes a good pitch around his collection time and anesthesia.
It has been somewhat quiet weather in Shanghai due to China’s economic situation. People are spending less money on the board, which has affected the emerging labels like Yi Yi. Although the fashion Week administrators have once formed a majority of presentations and exhibitions for the schedule of a Slimmer Show, the city’s designers face working on the method of moving forward in real time. Since it is related to Chen Chow, it means a tough, more concentrated combination as it is waiting for the next season, whether it will continue in the Shanghai Fashion Week or try its luck in Paris.
Chen Zhou showed a lineup that he described as a further scrutiny of the Spanish aspect of his identity. He said it was the northern area of Navari, which had become a special curiosity, especially the women in the area have adapted their cabinets to their lives in the valley.
In the way she translates a theme, she is wide. The most literal interpretations here were the broken lines of the sequel, which he had embroidered on the surface of some pieces. They were charming and beautiful and had a terrific psychotherapy effect on the suit. He also used silk treatment Log Wood dye techniques as water was penetrating through it, and the tie -colored velvet to produce variations of color gave more depth to the chopped pieces from January.
Chen Zhou’s syllables are the beneficiaries. They wrap the body in the same way and slip into it, which is felt by any kind of phenomenon and is taken from a period of time. Her clothes can feel safe if it is not for the charming pleasure of their detail: Coconling columns on the column’s gown, frying hams and shining on skirts, builds silk ribbon. Chen Zhou, an eager fashion student, also cited Mariano Fortune’s famous pleasant technique in which both steel and wool yarn were mixed.
