It was a very chic fault show of the Yemeni Go. In a season of Tess McGill Camos, GUO developed a reliable and modern suggestion that presented office clothing as a daily dress. In autumn collections, all of the corporate clothing, she showed the kind of clothes that you really want to comply with the mandate behind the office.
La SHE, he talked down and accelerated the masculine, and we saw the silks of the 80s somewhere, and there were no pin stretches or relationships – the classic symbols of the male authority. Instead, GUO considered the shape of women, and created a sharp uniform with a sense of sex. He wrote in his show note, “This collection reinforces the brand’s basic design philosophy: women do not need to describe the profession or context.”
A year ago, he imagined his fall line -up around a lawyer, and last season he developed a dancer, both exercises, even if he felt excessive storytelling at times. In this season, Go considered a “female agent”, whom he named Saif. Despite the high cinema personality, this collection really felt the basis of more. The guests shook their heads in approval as Go linked a run of mini -shift clothes and flattering in wool suits, Crapsed semi -Flerade Slax, which he attached to sexy blouses and horrible jackets, which featured round storm flops.
Go has a strong business in China and he makes clothes for women’s facts instead of his designer Day Dreams. This does not mean that she doesn’t make a place to wander-some dear Bolero jackets look like a high octane, as the fantasy of the 90s comes into life, and those less happy skirts were indeed dreast unrealistic. He announced that “this is not designing for a woman who is missioning, but for a woman’s daily (life), she is sexy, clean and smart.” His focus is on the target.
